'Faces of Death' Review: Dacre Montgomery Is Insidiously Magnetic in an Otherwise Derivative Horror Remake

Humans are composed of a series of ideologies that exist in conflict with each other. We’re afraid of death and dying, but we can passively scroll past horrific memefied gore without so much as batting an eye. Since the advent of social media, we have been inundated with heinous imagery — from the aftermath of school shootings to beheadings to cannibalistic snuff films — and somehow, we’ve all kept running the same day-to-day rat race without being haunted by those sights. Humans may be afraid of what comes after death, but we’re not afraid to watch a train wreck on autoplay. This is the phenomenon that Daniel Goldhaber’s Faces of Deathredux seizes upon and exploits, with mixed success.